The Rising Star (Homo naledi) Interviews

During July of 2015 I was fortunate to be able to spend two weeks at the Evolutionary Studies Institute (ESI) at the University of the Witwatersrand in Johannesburg, South Africa with a remarkable group of scientists and explorers. As followers of this blog know I have been following and supporting the work of the Rising Star expedition which discovered and recovered a huge collection of hominin fossil bones starting in November, 2013. Indeed the open access nature of that excavation allowed my students and I to follow the hour by hour updates on Twitter which led to he creation of what's become known as the "Twitter Play by Play" of the excavation - you can access that resource HERE.

My recent visit allowed me to get to know many of the Rising Star team members and I was struck by the immense dedication and teamwork these varied researchers and explorers shared with me. That has led me to interview members of the team so that you can get a taste for how a great team can work cooperatively in a complex endeavor to make the most of what is a groundbreaking fossil discovery. All interviews were conducted by me either in the entrance chamber of the Rising Star cave, at the Evolutionary Studies Institute, or via Skype.  With the PBS/NOVA/National Geographic documentary about this discovery ("Dawn of Humanity") set to air on September 16th, I hope these interviews will allow you different and possible deeper view into the people and personas that made this expedition such a success.

This page will be continually updated with new interviews as they become available so please bookmark this page and come back often for updates!

Dr. Lee Berger & Dr. John Hawks discuss the discovery and significance of Homo naledi 

Interview #11 - Matthew & Megan Berger - Fossil photography and caving support

Interview #10 - Marina Elliott - Lead excavator

Interview # 9 - Hannah Morris - Primary excavator

Interview # 8 - Alia Gurtov - Primary excavator & Rising Star Workshop Member

Interview # 7 - Lindsay Hunter - Primary excavator

Interview # 6 - Becca Peixotto - Primary excavator

 Interview #5 - Elen Feuerriegel - Primary excavator and Rising Star Workshop Member

Interview #4 - Maropeng Ramalepa  and Dirk Van Rooyen. - Exploration Technicians

Interview #3 - Nompumelelo Hlophe - Exploration Technician

Interview #2 - Rick Hunter  - Exploration Technician and one of the original "discoverers" of the fossil chamber.

Interview #1 - Steven Tucker  - Exploration Technician and one of the original "discoverers" of the fossil chamber.

Rising Star Expedition

  

For those of you who know me well you know I have a lifelong passion for paleoanthropology - the study of early human and human like fossils. I had the great thrill to spend a week last July in Dr. Lee Berger's lab in Johannesburg, South Africa. I had the chance to see the detailed work that is going on regarding his signature discovery, the 2 million year old specimens of the new species Australopithecus sediba which he and his son Matthew discovered in 2009.

This past week his team began the process of retrieving fossils from deep (30 meters down) in a cave located in the Cradle of Humankind near Johannesburg. The team has been doing a GREAT job of sharing their discovery in real time through Twitter. Seeing the work happen like this is amazing and I have been sharing it with my middle and high school students. I have begun creating a daily video update of relevant tweets from teh team to give sort of a "play by play" for those without access or the inclination to use Twitter. Below you will find my videos - feel free to get caught up and experience Science in the making! 

UPDATE (September 2015) - With the results of the Rising Star Expedition soon to be released, I had the chance to visit the Rising Star cave and work with many of the team members.  I interviewed them and many of those interviews can be found at THE RISING STAR INTERVIEWS page here on the Blue Lion Blog. 

Listen to Lindsay Eaves Describe the thrill of getting the skull from the deepest part of the Rising Star Cave to the surface! 

"ACCIO SKULL!"

Thanks so much for sharing this Lindsay!  

I'll be adding new updates and links about the Rising Star Expedition in this space as time progresses! 

• The Nat Geo Rising Star Expedition Blog  
• Lee Berger's Twitter Feed
• Rising Star Expedition's Twitter Feed
• John Hawk's Twitter Feed
• Lindsay Eaves Twitter Feed
• Elen Feuerriegel's Twitter Feed
• Alia Gurtov's Twitter Feed
• Mail and Guardian article detailing the end of Rising Star 2013
• TrowelBlazers Profiles of the 6 Advance Scientists
• Lee Berger's Interview with Boyd Matson on National Geographic Weekend Radio Show - A MUST listen ! 
• Catherine Brahic's superb overview of the Rising Star Expedition from the New Scientist- A great update from November, 2014.

Ode to the last roll of Kodachrome.........

As many of you may know, Kodak stopped manufacturing Kodachrome film last year after a 74 year  run.  




A bit belatedly I heard about a really inspiring project. World renowned photographer Steve McCurry (Most of you know his famous National Geographic cover photograph of the "Afghan Girl".) was entrusted with the FINAL roll of Kodachrome film  and had to decide what images to capture with the final 36 ( or 37 if lucky) exposures of the most famous film in the world. The story is fascinating so I am reposting the article from the Associated Press here. Below that is a link to NPR's coverage of his event. I hope you all enjoy! Feel free to share  your thoughts & comments!

De Niro, Brooklyn, India on last Kodachrome roll

By BEN DOBBIN (AP) – Aug 2, 2010

ROCHESTER, N.Y. — What should a photographer shoot when he's entrusted with the very last roll of Kodachrome?

Steve McCurry took aim at the Brooklyn Bridge, Grand Central Terminal and a few human icons, too. Paul Simon, the singer-songwriter synonymous with the fabled film's richly saturated colors, shied away. But Robert De Niro stood in for the world of filmmaking.

Then McCurry headed from his base in New York City to southern Asia, where in 1984 he shot a famous portrait of a green-eyed Afghan refugee girl that made the cover of National Geographic. In India, he snapped a tribe whose nomadic way of life is disappearing — just as Kodachrome is.The world's first commercially successful color film, extolled since the Great Depression for its sharpness, archival durability and vibrant yet realistic hues, "makes you think," as Simon sings, "all the world's a sunny day."

 Kodachrome enjoyed its mass-market heyday in the 1960s and '70s before being eclipsed by video and easy-to-process color negative films, the kind that prints are made from. It garnered its share of spectacular images, none more iconic than Abraham Zapruder's reel of President Kennedy's assassination in 1963.

But Mama Time is taking Kodachrome away, and McCurry feels the tug of nostalgia even as he loads Eastman Kodak Co.'s last manufactured roll into his Nikon F6, just as he's done "so many tens of thousands of times."

From that moment on, "there's a certain amount of observation and walking around — exploring, hunting, moving," McCurry said of his craft. "It's not all about taking pictures. It's about appreciating this world we live in for such a brief amount of time.

"I thought, what better way to kind of honor the memory of the film than to try and photograph iconic places and people? It's in (my) DNA to want to tell stories where the action is, that shed light on the human condition."

Betting its future on digital photography, Kodak discontinued the slide and motion-picture film with a production run last August in which a master sheet nearly a mile long was cut up into more than 20,000 rolls.

 McCurry requested the final 36-exposure strip. After nine months of planning, he embarked in June on a six-week odyssey. Trailing him was a TV crew from National Geographic Channel, which plans to broadcast a one-hour documentary early next year.

 National Geographic magazine is considering doing a spread on McCurry's trip that would include a handful of images. All the originals are destined for air-conditioned safekeeping at the George Eastman House film and photography museum in Rochester.

McCurry relied on a digital camera to help evaluate composition, perspective and light, but choosing the moment to press the shutter was pressure-packed. Even seasoned photographers have a hard time knowing when "you're going to get that one emotional component to the picture," McCurry said.

His nerves were jangled again when he had to run the loaded camera through airport X-ray machines in Italy and Turkey. One security guard joked, "'Oh, take a picture,' which was kind of funny because we were trying to make every frame count."

McCurry returned to old haunts in western India where "color is important culturally," drawing on Kodachrome's magical power to subtly render contrast and color harmony in depictions of Ribari tribespeople in Rajasthan and Bollywood luminaries in Mumbai.

His journey ended in July in small-town Parsons, Kan., the home of Dwayne's Photo, the last photo lab in the world that processes the elaborately crafted color-reversal film. Dwayne's will close that part of its business in December.
 "It's not a process like black-and-white that hobbyists could do in their own dark room," co-owner Grant Steinle said, warning Kodachrome hoarders "they really need to get out and shoot those pictures" and perhaps shift over to newer lines of slide film like Ektachrome and Fujichrome.

 In McCurry's roll, one or two exposures were a little off, but he was pleased with the results. In one self-portrait, he posed next to a Kodak-yellow taxicab bearing the license plate PKR 36 — the code name for Professional Kodachrome film; in another, he's sprawled on a hotel bed at journey's end.


McCurry has a personal archive of 800,000 Kodachrome images he takes good care of. But in late July, he chanced upon a batch of 1969 and 1972 Kodachromes he'd put in storage in Philadelphia long ago and forgotten about. The discovery got him reminiscing about his days as a hungry photographer hopping from Amsterdam to Africa to Soviet-era Bulgaria.

 "Not only was the color really good, but they were actually not bad pictures," McCurry marveled.

"Imagine leaving digital images in a hard drive and coming back 40 years later. Would anybody be able to read that data? That's the great thing about film. It's a self-contained object. You hold the picture up to the light and there it is."

Copyright © 2010 The Associated Press. All rights reserved




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